Prewriting: An Important Step You Shouldn’t Skip

For a very long time, I felt it was a waste of time to do anything other than sit down and write the story.  Writing time is precious.  We all know that.  So why bother with anything else?

Prewriting is pretty much just preparing yourself for the work you have ahead.  It doesn’t have to be painful when you realize that it will make the writing itself so much easier.  You don’t have to stop and decide where your characters are going to meet for lunch or wonder if you got the color of Billy’s car correct.  You won’t be interrupting your writing time by searching the internet for the perfect house for your main character.  So just how do you perform this miracle, anyway?

Character Profiles – If there’s anything I hate, it’s getting halfway through a story and forgetting what color a character’s eyes are.  Cue the character profile!  You can find templates for these all over the internet, but I often just make my own as I go.  You need to know what your character looks like, any quirks they might have, what they do for a living, or how they might act in certain situations.  Personally, I like to put a picture in my character profile so there’s never any question what they look like.

Plotting – This section is not for the pantsers out there!  I find great benefit in writing out my plot.  I like to know where I’m heading and how I’m going to get there.  That’s not to say that things never change as I’m writing.  My characters have been known to do what they want occasionally, but I don’t like to feel stuck partway through the story.

Settings – Where is your story taking place?  Is there a quaint café in a small town?  Or a biker bar with vintage beer signs?  Having a sense of setting is important to making a story seem real, and this can be even more important if you’re working in science fiction or fantasy.  Make drawings or look up pictures that ring true to the story you’re telling.  If the book takes place in the town you live in or grew up in, don’t just assume you know it the same way that someone who had never been there would.  Go out and find the little details that make the story real.

I know there are plenty of people out there who still aren’t interested in prewriting.  That’s okay, and you should do whatever works for you.  But I find that when I’ve done my homework, I can crank out 2,000 words in less than an hour.  That’s all the proof I need.  I never really understood the importance of prewriting until college, but I wish I had discovered it much sooner.

How do you write?  Let me know in the comments!

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Ashley O’Melia is an independent author and freelancer from Southern Illinois.  She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University.  Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside DetectiveHer short stories have been published in The Penmen Review, Paradox, and Subcutaneous.  Ashley’s freelance work has spanned numerous genres for clients around the world.  You can find her on Facebook and Amazon.

Interested in having your book reviewed?  Contact me.

 

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Quixotic Undertakings or: How I Learned to Stop Worrying and Write Nonfiction – Guest Post by Jennifer Kelly

by Jennifer Kelly

About five years ago, I was ready for a career change. I taught college writing classes, preparing students for both writing in college and for writing in the workplace, but, after more than a decade, though, I was ready to concentrate on my own writing career. That was when I decided to write my forthcoming book, my first attempt at nonfiction. After earning two degrees in English and years of teaching writing, I thought I had the right qualifications for that kind of project: I had conducted research, I had written many pages as both an instructor and a student, and I was a fan of the subject I had chosen. Surely, this would be easy, right?

Boy was I wrong!

Fiction vs. Nonfiction

At this point, outside of my academics, my writing had been focused on fiction. I had written a novel in middle school and had a long list of potential projects, but I needed something I could jumpstart this career with. The project that appeared to have the most potential was a book on America’s first Triple Crown winner, Sir Barton. When I started in 2013, the 100th anniversary of his accomplishment was right around the corner – 2019 – so I had time to research and write, but I knew I could not take the whole six years to get it all done.

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Now, nearly five years later, the book is on schedule for a spring 2019 release from the University Press of Kentucky. With the manuscript done, I enter the final phase of the process where I contemplate revisions, marketing, and my future plans for both sides of my career, fiction and nonfiction. Here is what I learned about writing nonfiction after a lifetime of academic and fiction writing:

  • Academic background helps, but is not necessary – Though much of my academic writing technically was nonfiction, I did not have as much experience with the storytelling side of the genre. I was able to use my previous experience to conduct the research and to plan out the writing process for this type of book. However, you need not be an academic to learn and grow those skills. These can be picked up in other ways, such as writing for other publications in your field and researching the techniques of writing nonfiction.
  • You can be creative, just not in the same way – While all of the information I presented came from sources like newspaper articles and books, I still had leeway in how I wrote about the events in Sir Barton’s career. Nonfiction does not have to mean dry; while I must be objective, the language I use or the way I craft the timeline allows me to tell the story of this life in a way that is as engrossing as fiction can be.
  • Plan, plan, and plan – I know writers who use outlines in crafting their stories and others who might write in chunks they later weave together. For nonfiction, like the research papers you wrote as a student, you need a plan. Start with something simple and then layer in more information as necessary, but a plan is a must, especially if research is a big component of your project. Plan your research, your writing, and your search for an agent and a publisher.
  • Document your research and use tools to make citations easier – The two tasks that took the most time were not the actual writing, but the research and its accompanying documentation. Not only did I plan time to research, but I also kept tabs on the search terms, the libraries and other organizations I had searched, and the people I contacted. I also needed to be meticulous in keeping track of my sources; often, a paragraph might use five more sources and I needed to make sure that each one had its proper attribution. This can get unwieldy and complicated, especially as I had to create citations for each source.

One tool that can simplify that task is the citation generator that many word processors come with now. You can select your preferred citation style and then use the generator to create each citation; if you need to switch styles mid-project, your word processor can help you with that too. This tool can save so much time and grief! Even if you are using a limited number of sources, keep track of what you use to save you a step at the end.

  • Write a book proposal and query agents BEFORE you finish writing – I went to a writers’ workshop where I discovered that I need not finish the book before I started looking for an agent and a publisher. For that, I needed a book proposal and a list of possible agents. I crafted my book proposal and query letter and then searched for potential agents. By the time I finished my third draft, I had a publisher and a deadline in place.

Research your field. What companies publish books in your area of interest? What agents look for projects like yours? What should your book proposal include? Start querying while you are writing and you might find the right agent and publisher before you have typed that last word.

There you have it: a bit of what I learned writing my forthcoming book. If you want to hear more, I am happy to share my perspective on this process. My journey into writing Sir Barton’s story might have felt quixotic at times; nevertheless I found that I had the right stuff to finish it as time went on. Good luck on your writing journey!

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Jennifer Kelly’s first book Sir Barton: Conqueror of the Classics (tentative title) will be out in spring 2019 from the University Press of Kentucky. See more from Jennifer on the companion blog The Sir Barton Project (www.thesirbartonproject.com) and follow her on Facebook (https://www.facebook.com/jenniferkellywrites/

Interested in writing a guest post for my blog?  Contact me!

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5 Things You Need to Do Before Hiring a Ghostwriter

So you’ve got a great story in mind, but maybe you aren’t much of a writer.  Or maybe you just don’t have the time to get it done.  For whatever reason, you’re considering hiring a ghostwriter.  Congratulations!

When I started freelancing full time, I never expected the vast majority of my work to be ghostwriting.  I’ve done many different kinds of work, but my calendar these days is chock-full of stories to write for others.  I love doing it, and I feel that it only enhances my craft, but along the way I’ve noticed a few things that would make things go a little more smoothly.  While there’s a lot you can do to prepare for the ghostwriting process, here are my top 5.

Know What You Want – If you know there are certain plot points or scenes that you want in your story, then you need to tell the ghostwriter up front.  I can’t tell you how many times I’ve been asked to do a story, only to have the client come back and say, “Oh, but I wanted my character to do this.”  Sometimes it’s more difficult to go back and rework a scene than to just write it correctly in the first place.  You can’t expect Burger King to make your chicken sandwich with extra bacon if you don’t tell them that’s what you want.  Give yourself some time with your story so that you understand everything from the tone to the color of your main character’s shirt before you hire someone to write it.

Understand Stylistic Differences – The writing world is not an objective one.  While there are several standby rules that most people follow, everyone has different stylistic preferences.  Your ghostwriter might have a different style of writing than what you’re looking for, and you should ask for samples so you know what kind of work he or she does.  If possible, send over examples that show what you like.  This goes back to telling your writer what you want, but it’s something that spans the entire story.

Edits Aren’t Free – Well, they might be up to a certain point.  Establish a contract with your ghostwriter that outlines how many times they will go back over a given piece of work before charging more.  It takes time and effort to redo something, and you can’t expect a writer to do this for free simply because you’ve changed your mind.

Know What You’re Doing – Ok, I know this is turning into a bit of a rant.  The truth is that I’m very grateful for my ghostwriting clients, but this is one of my pet peeves.  If you don’t know how to construct sentences correctly or the proper way to use punctuation, then don’t criticize the way your writer does things.  I’ve had a client “edit” the work I sent in, only to add numerous comma splices and unnecessary phrasing.  It’s obnoxious.  Really.

Be Honest – If your ghostwriter is doing things that you genuinely don’t like, tell them as soon as possible!  Don’t slog along through an entire novel and wait until the end to ask them to change things.  With that in mind, I always think it’s a good idea to split a large piece into several sections so that you can provide feedback to your ghostwriter along the way.

The big idea here is to make sure you’re really ready and that you’ve thought about all aspects of your story before getting started.  Good luck!

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Ashley O’Melia is an independent author and freelancer from Southern Illinois.  She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University.  Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside DetectiveHer short stories have been published in The Penmen Review, Paradox, and Subcutaneous.  Ashley’s freelance work has spanned numerous genres for clients around the world.  You can find her on Facebook and Amazon.

Interested in having your book reviewed?  Contact me.

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Tiny Tips for Crushing Your Writing Goals

If you’re looking for writing tips, then you’ve probably heard all about having a dedicated space for writing and establishing a routine.  While there’s nothing wrong with these ideas (in fact, I’ve found them rather useful myself) I’ve realized over the years that there are some very small things I do that make a big difference.  These things are so small that they might not seem significant, but I’ve found that they’ve made a huge difference in my productivity.

Auto-Save Features:  I’ve always been a big fan of Microsoft, and I was thrilled when Office got an auto-save upgrade.  Every time I start typing, Word is backing me up.  I did a decent job of saving my work on a regular basis, but if you’ve ever lost an amazing paragraph that you could never make right again, then you know where I’m coming from.  This feature is becoming pretty common on word processors, so use it.  Automatic cloud-based backup is also essential.

Timers:  I used to sit down at my computer and feel as though I needed to force my way through several hours of writing before I deserved a break.  I could do it, but it left me feeling burnt out.  My body was stiff from sitting still so long, and I was constantly looking for reasons to avoid my work.

I’ve found, however, that it’s much more effective for me to get up and away from the computer regularly.  I set a timer on my computer for an hour (and I really try not to look at it), after which I get up and move around for ten minutes.  Do whatever works for you during those ten minutes:  clean the bathroom, take your bearded dragon for a walk, or see how many sit-ups you can do.  Just get away from your desk and move your body.  It’ll keep you from getting stiff and sore, and I find that it refreshes my mind and lets me come back to my work with more enthusiasm.

Time for walkies!

Good Health:  I know, it doesn’t seem like it should have much to do with writing.  And there’s no doubt that some great writing can come from going through very debilitating situations.  But overall, I’ve found that the better care I take of myself, the more energy I have.  That makes it easier to get the creative juices flowing without falling asleep at my keyboard.  Take your vitamins, eat right, and don’t OD on coffee just because you’re a writer.

Background Noise:  Something can be said for silence, but I really prefer to have some music going when I write.  Since I don’t like anything with lyrics, I go for soundtrack-style stuff.  On Pandora, I like the Blue Man Group and Audiomachine.  YouTube also has some great stuff, and you can check out my playlist here.  It’s even more effective with headphones to better drown out the chaos around you.

What little things do you do that help your writing?  I’d love to hear about them!

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Ashley O’Melia is an independent author and freelancer from Southern Illinois.  She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University.  Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside DetectiveHer short stories have been published in The Penmen Review, Paradox, and Subcutaneous.  Ashley’s freelance work has spanned numerous genres for clients around the world.  You can find her on Facebook and Amazon.

Interested in having your book reviewed?  Contact me.

 

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The Pen and the Sword – Guest Post by Kevin Coolidge

by Kevin Coolidge

It is said that the pen is mightier than the sword, though I much prefer my Swiss army knife. Still, I could not help but be fascinated by a class called “The Pen and the Sword” taught by an Aikido master.

Truly, now was my chance to learn to kill a man with a ballpoint pen and land that job with the CIA. If he who lives by the sword, dies by the sword, then he who lives by the pen…? Writing is not for the weak. I must be strong. I must be prepared. I must be ready.

I was ready to become both master of the pen and the sword. Anxiously I awaited the sensei’s arrival. The room was filled with gymnastic mats-also called tatami-and nervous energy. Here I would forge the weapon of my mind, the strength of my spirit, the tool of my will.

A stout man came waddling into the room with a Grizzly Adams beard and blazing blue eyes, like a half-crazed Viking warrior who forgot where he put his bearskin. This could not be the teacher? Surely such a man was born to wield an ungainly battle-axe, not the eloquently crafted katana. Lost? Searching for a Wagner opera? A drumming circle?

His voice boomed, “You have to write a poem. You have one minute. Go!”

A mad rush of students surged to the back wall where a table sat loaded with clean, white paper and pencils. Quickly, I grabbed a pencil. “Only a minute to craft a poem of truth and beauty, and it has to be great!” I looked to the heavens for inspiration; I pleaded to my muse for guidance. I looked within myself, and found me.

There’s a saying, “No matter where you go, there you are.” And there I was. There’s some that might say I’m bull-headed or have a blatant disregard for authority figures. Maybe, maybe not. But I was in the moment, and that rebel in me grabbed that pencil and wrote four quick lines that spilled out of me.

I have to write a poem.

It has to be good.

No, I don’t.

No, it doesn’t.

I put my pencil down and smiled smugly like that smart-ass kid in geometry class that always finishes his test before anyone else. Don’t you just hate that? The berserker glared at me and snarled, “Are you done?”

“Yep.” I arrogantly replied.

“You now have thirty seconds!” roared the madman…

Aikido (aikidō) is translated as the “way of harmonious spirit,” and emphasizes joining with an attack and redirecting the attacker’s energy. Hey, if you can’t beat ‘em, join ‘em.  So this class was not to turn me into a lethal weapon, but it did make the art of poetry more accessible to me. The arts of war have strong traditions in many art forms, from poetry to calligraphy to flower arranging.

Martial arts are more than what you do, or do to someone. Martial arts can help build confidence, fitness, discipline and awareness of one’s surroundings. It is something that you feel. Being what you are. Being in the moment and it ain’t always pretty.

What is poetry? Is it more than just words? If it has no structure, is it poetry? If it doesn’t rhyme, is it poetry? If it’s in free form, or freestyle, is that a poem? Poetry, and discussions of it, have a long history, and poets and scholars will never agree on a definition.

For me, poetry is a means of expressing an idea, emotion, feeling or memory in a concise way. It may be graceful, beautifully expressed, or even brutal-an elegant arc of a well-honed blade or a swift body blow to the breadbasket.

No, my aikido teacher was not a tyrant, or a bully, but a kind, gentle man with lessons to teach and a wicked sense of humor. The real power and truth of a poem is the honesty and truth to it. You can dress it up, flesh it out, or make it dance the salsa, but if it isn’t real it really isn’t anything at all. What is poetry? All I can say is, “You’ll know it when you feel it…”

For further reading check out, Sword and Brush by Dave Lowry: The way of the brush reflects the strategic principles of the sword; Lowry is master of both.

Zen in the Art of Writing by Ray Bradbury: A celebration of the act of writing, by a master storyteller. I am unaware of his prowess in the deadly arts, but I don’t recommend meeting him in a dark alleyway.

Kevin resides in Wellsboro, just a short hike from the Pennsylvania Grand Canyon. When he’s not writing, you can find him at From My Shelf Books & Gifts, an independent bookstore he runs with his lovely wife, several helpful employees, and two friendly bookstore cats, Huck & Finn. He’s recently become an honorary member of the Cat Board, and when he’s not scooping the litter box, taking out the garbage, or feeding Gypsy her tuna, he’s writing more stories about the Totally Ninja Raccoons.

 

 

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Stepping Out of Your Comfort Zone – Guest Post by J.S. Frankel

by J.S. Frankel

It’s easy to write what you know. As a guy, white and cisgender straight, that’s what I started writing roughly six years ago because it was what I knew best. I wrote about white dudes and dudettes, introduced outlandish (at times) situations, had fight scenes and romances and it was all very good.

After all, I had to go with what I knew and pen a story about it. That’s what the experts say, and who are we to question them?

But is it the best way to improve? It depends. It’s my contention that a writer can improve within the genre they’ve chosen, working on narrative, dialogue, action, and so on, without having to switch to another genre.

At the same time, though, some writers can become complacent, coasting along on the formula that got them noticed in the first place. So, it depends.

In my case, not only did I want to improve my narrative technique, I also wanted to grow as a writer. For me, that meant stepping out of my comfort zone. It meant writing about the unfamiliar.

In the past, I’ve written lesfic as well as explored transgender issues. I did this because those two areas are unfamiliar to me, because there are people who are in the LGBT category, and because they have their own stories to tell, that is, the characters that I wanted to write.

If you are going to step outside your comfort zone, how you approach it is up to you, but this is what I’ve learned.

1. If you don’t know–ask. With the transgender crowd, I asked a few people to tell me their experiences. They were more than willing, and I incorporated their ideas.

2. Do your research. I cannot stress this enough. If you’re going to write about something unfamiliar to you, research it first and then research some more. Then ask if you are truly stumped. A wise person admits their ignorance; a fool does not, and thereby exposes everything.

3. Expect to be called on it. In fact, even if you’re writing about something you know, chances are at least one person will call you on it. When writing about a different orientation, the chances of messing up are doubly so, so expect criticism.

That’s what happened to me. Some of it was justified; much of it was not. It had nothing to do with the style or the narrative. Some people simply couldn’t accept a straight guy writing about lesbians. That’s how it goes.

4. Make the characters real. An excellent novel I read, Crimson Fire, had a black lesbian as the main character. The way the writer, Mirren Hogan, approached it, was nothing short of incredible, and yet it was so naturally and simply done, I had to keep reading.

Her main character said that she preferred women and that was that. No muss, no fuss, no much ado about anything; it was stated clearly and it is to Ms. Hogan’s credit that she not only created a very fine novel, it also showed her main character in a very positive light. The orientation of the character turned out to be unimportant. It was the character, what she did and how she conquered, that was the most compelling part of the story.

To me, that’s how you should portray someone who is different from the default, not dramatizing, but simply showing.

Even if you do everything right, see point #3. Sooner or later, someone will take offense at what you write. It doesn’t matter how good it is or how sympathetic the characters are or how well it’s written…at least one person will always find fault with what you do.

That’s the risk every writer must take. It is then up to the writer to either accept that criticism–if justified–or discard it. In any case, keep writing. That’s been my mantra from day one. To quote Captain Picard: “Make it so.”

J.S. Frankel was born in Toronto, Canada and grew up there, receiving his tertiary education from the University of Toronto and graduating with a double major in English Literature and Political Science.

After working at Gray Coach Lines for a grand total of three years, he came to Japan at the age of twenty-six and has been there ever since, teaching English to any and all students who enter his hallowed school of learning.

In 1997, he married Akiko Koike. He, his wife and his two children, Kai and Ray, currently reside in Osaka. His hobbies include weight training, watching movies when his writing schedule allows, and listening to various kinds of music.

His novels, all for the YA set, include Twisted, Lindsay Versus the Marauders and it’s sequels, Lindsay, Jo, and the Tree of Forever, and Lindsay, Jo and the Well of Nevermore, all courtesy of Regal Crest Enterprises. He has also written the Catnip series (five novels), Mr. Taxi, The Titans of Ardana and its sequel, The Titans of Ardana 2: Battlefield, along with Picture (Im)perfect and more novels, courtesy of DevineDestinies.com.

Future projects for Devine Destinies include the final novel in the Titans trilogy, the final novel in the Just Another Quiet… trilogy, The Undernet, the re-release of Star Maps, and more. He is also the author of The Menagerie and The Nightmare Crew trilogy, all courtesy of Finch Books.

You can find J.S. Frankel on Amazon and Twitter.

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Book Review: Mayhem at the Orient Express by Kylie Logan

I won this book in a silent auction basket at my local library.  I mean, I had to bid on it since it was nothing but books about cats, right?  I also happen to like cozy mysteries, so this was an easy entry on my To Read list.

The first thing I have to say about Mayhem is that it’s not quite as cozy as other books in the genre that I’ve read.  While I’ve really only gotten into this type of book over the last few years and I can’t say I’ve delved extensively into the genre, I was surprised to find that there were quite a few cuss words.  There’s also the mention of condoms and more than an insinuation that two characters are having sex.  I’m not offended by any of this, but it stood out to me as unusual.

Mayhem is written in first person in a very casual, sarcastic style that I really enjoyed.  Bea Cartwright is sassy and a little crabby, and she doesn’t hesitate to talk about it.  The book is fast-paced and well put together with a good mystery.  The clues and the red herrings are intermixed, keeping the real mystery for the very end.  Along the way, we discover that Bea has a secret of her own, which just adds to the plot.

At the beginning of the book, the main characters have been in court far too many times complaining about each other.  The local judge sentences them to join the library’s book club.  While this seems pretty far-fetched and made for a bit of a bumpy start to the book, it was a good way to draw the characters together.  Things picked up quickly, and then I couldn’t put it down.

As you may have guessed, Murder on the Orient Express is featured in this mystery.  While I think the book would still be enjoyable if you haven’t read Christie’s classic, I think it’s better for having done so.  I just read MOE a few months ago, so a lot of the elements were still fresh in my mind.

Overall, I highly recommend this book.  My one disappointment is that the cat on the cover was only a very minor part of the book, mentioned maybe two or three times.  If you’re expecting a cat mystery, this isn’t it.  But it was a quick, fun read, and I’ll definitely read more by the same author.

 

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Writing Update!

I’ve been working on the outline for the third book in the Dragon Keeping Chronicles, to follow up The Wanderer’s Guide to Dragon Keeping and Once a Wanderer.  

I’ve been wanting to write this book for two years.  The basic idea for it came when I was writing Once a Wanderer, but I just never seemed to have the time.  I’m a full-time freelance writer, and my clients have always come first.  I kept thinking I would take a few weeks off during the summer or write my books in the evenings, but it just wasn’t happening.

Finally, it is.  What seems to be working the best is to set aside the first hour of every work day for my own writing.  This means that I continually make progress on my work (even if it’s not quite as much as I would like) and that I always look forward to starting my work day.

But something else is happening, too.  It seems that the more time I take for my personal writing, the more I want to write!  I’ve outlined a completely unrelated story and jotted down basic story ideas for at least three more.  And while I’ve been working on my third dragon book, I realized that it’s quite possible there may be a fourth installment.  At the very least, I have some preliminary notes.

While I can’t say too much without giving things away, I’m just pleased to say that there are more stories in the works!  Make sure you find me on Facebook to stay updated!

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Book Review: The Sea House by Elisabeth Gifford

Have you ever read a book that just reached right out and punched you in the heart?  The kind of book that made you stare at it for a while after you finished it, wondering just how your life was going to be different from then on?  Because it had to be different, simply because of that book.

For me, The Sea House by Elisabeth Gifford was one of those books.  I picked it up on a random trip to Barnes & Noble, when I peeked at the bargain rack and immediately snatched it up.  This book practically jumped into my hands and demanded, “Read me!”

The tone of the book very well portrays the loneliness and the magic of living near the sea, combined with the solemn desperation of infertility.  What struck me most was the exploration of sirenomelia, also known as mermaid syndrome.  Having had a daughter born with a cancerous tumor, any plot element around a baby with a birth defect or a miscarriage gets me right away.  I’ll be honest, it didn’t help that my last name is part of the name of the syndrome.  Let’s just say there’s some significant water damage to the pages of this book.

The book switches back and forth between Alexander Ferguson, a vicar and evolutionary scientist in 1860, and Ruth and Michael, who have purchased a house by the sea in the hopes of making it a home for their future family.  They find the bones of a baby with mermaid syndrome under the floorboards, causing Ruth to not only pursue the truth behind the deceased child but behind her own relationship with her mother.

I’ve had The Sea House sitting on the corner of my desk for a while, planning to write a review.  But I was so involved in the reading that I didn’t even make any notes, and I couldn’t think of anything quite sufficient to say about it.  It’s just that good.  It’s unique, it’s haunting, and it thrashed my heart into a hundred pieces.  This volume has earned a permanent place on my shelf.

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Author Interview: Ashley Goss

An author who isn’t afraid to be prolific in any genre that pleases her, Ashley Goss and I had a moment to chat about her book background and where she’s headed with her writing.

What inspired you to write about vampires?

Honestly, I love reading about vampires and werewolves so I knew I would end up writing a series one day however I didn’t think it would be this soon. My series all came from nightmares I had for a series of nights. I would jot notes down as soon as I would wake in case I would forget anything. It’s crazy how that happens. Always have need a pen and paper by my bed.

Will there be more vampire books in the future? 

Yes, there will be more books in the future along with werewolves, witches and others. I have built an entire world around this vampire series which will fall into the other books. Once the vampires series is done, certain characters will play HUGE roles in the werewolf and witch novels. I can’t say too much cause I don’t want to give anything away too early.

Tell us about your other books.

My other books are strictly romance books. I have written a mystery novel that should be released at some point towards the end of 2018. Stay tuned for more information on that release.

I see that you like to do book reviews.  What do you look for in a book?

I look for a good synopsis. If your synopsis can hold me then I use the Look Inside feature and read the first chapter of the book.  Of course if I’m still interested then I purchase the book and continue reading.

Were books a large part of your childhood?

Yes, as a child I was obsessed with reading anything I could get my hands on. Some of my favorite authors are still: John Green, Nicholas Sparks, Danielle Steel and Gayle Forman. Of course, I couldn’t have gotten through grade school without Judy Blume or Goosebumps.

In your opinion, what does it take to be a writer?

No matter what kind of writer, you have to have an active imagination, a way to tell your story, and of course keeping it interesting. The hardest thing about being a writer is finishing your story, seeing it through from beginning to end.

What’s your life like outside of writing?

I am a mother of a beautiful 9-year-old girl and just recently got engaged on Christmas Eve of 2017. I work a full-time office job as well as writing on the side. I am still an avid reader. Right now, I just got done binge watching the Harry Potter collection.

Tea or coffee?

I don’t even like tea. I am 100% a coffee FIEND. I write often at coffee shops. When I write, I always have a cup of coffee by my side. =)

Do you have other books in the works?

I have about 20 unfinished manuscripts at the moment, all of which are half-written. I have three books coming out in 2019. I have not released exactly what books on what dates yet but I will announce this in March 2018.

Be sure to check out Ashley’s website, follow her on Twitter at @authorashleyg, and like her on Facebook.  Her books can be found on Amazon.

 

 

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